(This is 2018 Reading Challenge Book #9.)
I’ve never hid my obsessions with Doctor Who: I started this blog as a place to talk about the show, as long forgotten as that idea seems now. Douglas Adams was one of the humorists that inspired me, and sometimes kept me sane, as a young man. Combine the two, and I’m in nerd-heaven. That doesn’t excuse the fact that Doctor Who and the Krikkitmen is my fourth DW book this year and that I might end up reading at least two more. On the bright side, it will be the last book that I try to shoehorn into my playing of the Infocom Hitchhiker’s Guide game as I have completed it now (over on The Adventure Gamer) and will be posting the final rating in a day or two.
Doctor Who and the Krikkitmen is the third posthumous collaboration between James Goss and Douglas Adams, based on his archived papers and notes. The history of this book alone is worth the price of admission: Douglas Adams first wrote a treatment for Krikkitmen back in 1976, during the Fourth Doctor’s tenure with Sarah Jane Smith. The treatment wasn’t accepted for one reason or another, although they clearly liked Mr. Adams’s work enough to bring him onboard. Adams left on it the back-burner, at one point even considering it for a possible theatrical film. Never one to leave a good idea behind, aspects of Krikkitmen made their way into Shada and eventually the main thrust of the book was transposed into the third Hitchhiker’s book, Life, the Universe, and Everything. The Doctor and companion became Arthur and Ford, but otherwise many of the fundamentals remained: a terrible race of white-outfitted robots wielding cricket bats fought a war millions of years ago for the fate of the galaxy. It is the distant racial memory of this terrible war that inspired the game of cricket, although only the English could possibly make a game out of the slaughter of millions. The Doctor ultimately fights this scourge and protects the universe and at one point nearly blows it up by accident himself.
Continue reading “Doctor Who and the Krikkitmen” by Douglas Adams & James Goss (2018) →
